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"Putting the cart before the horse" is a familiar old saw. It describes reversing "the accepted or logical order of things." The Critic finds himself reviewing The Ringwald Theatre's production of "Angels in America, Part One" after reviewing Part Two last weekend. So have I emerged "bewitched, bothered and bewildered?" That would be a "no" on all three counts - "entranced" is a better description of my experience than "bewitched." READ MORE.
The Great Escape Stage Company is taking on a complicated musical with "Grey Gardens." "Grey Gardens" centers around two real people, though the autobiographical elements are ever servants to the plot and theme. Edith Bouvier Beale and Edie Bouvier Beale are the aunt and cousin respectively of Jackie Kennedy. They were eccentric characters who went from society paragons to reclusive women who lived with 52 cats in squalor in what was once the 28-room gorgeous mansion. READ MORE.
It will indeed be one "Wilde" night when Michigan's professional theater community comes together Sept. 22 for The 13th Annual Wilde Awards. "Although the number 13 may be considered by many to be unlucky, it will prove to be anything but for more than a couple dozen thespians who are competing against their peers from across the state for honors at this year's ceremony," said Donald V. Calamia, co-creator and host of The Wilde Awards. READ MORE.
The complete title of Tony Kushner's monumental opus is "Angels in America: A Gay Fantasia on National Themes." Did I write "monumental?" It is so big it's split into two plays, each of which runs over three hours. Is it self-indulgent? Yes. Is it bombastic? Yes. Is it utterly compelling drama? You better believe it. "Angels" received the Tony Award for Best Play of 1993 and 1994, plus the 1993 Pulitzer Prize for Drama. READ MORE.
Gather enough evidence surrounding a thing, and you'll get an idea of the thing itself. Playwright James McLure conducts just such a contextual experiment with "Laundry Bourbon" and "Lone Star," adjoining one-act plays that, when taken together, attempt to flesh out the complexities of a marriage by inference alone. But in The Snug Theatre's broadly comic double-bill production, under the direction of Nancy Arnfield, easy small-town Southern humor takes top billing over melancholy swipes at lost romance and a relationship in crisis. READ MORE.
You have to feel for Lily Small. She's caring for her delusional father who, in his less lucid moments, thinks he's Queen Victoria. She's hoping to raise the household income by training as a sommelier and still pay the bills. But her biggest burden is her husband, Lazarus. While laid off from work, Lazarus, by chance, played the glassy-eyed "satisfied client" in a local legal-eagle's TV ad. The experience has gone to his head; he's spending money the family doesn't have readying himself for Hollywood, fame and fortune. Then Lazarus drops dead. READ MORE.
- Michfest Responds: We Have a Few Demands Of Our Own
- Q&A: Jennifer Hudson On Lesbian Rumors & Drag Queen Attitude: 'I Don't Care What You Think'
- Q&A: Bill Hader Talks Gay Kisses ('Paul Rudd Tastes Like Chicken') & Trans Sketch ('Sorry')
- Barbra Streisand's Duet With Gay Son Is Highlight Of New Album
- BREAKING: Is Terri Lynn Land's Family Violating Nonprofit Regulations?
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CHELSEA - Following a path that has taken her from working in civil rights in the big metropolis of New York City to owning dozens of sheep, chickens, pigs and other rowdy farm animals, Angie Martell seeks a full life of balance and tranquility.
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